中英文对照外文翻译文献(文档含英文原文和中文翻译)原文:Norway Romsdal Folk MuseumPhotograph from : Stiftelsen RomsdalsmuseetThe Romsdal Folk Museum is an architectonic attraction and a treasured landmark that embodies the history and identity of the entire region. Our intention in this project was to let the structure signal its meaning and function through an architectural expression and the use of local materials. The scale of the building refers to the urbanity and morphology of the town. The overall layout of the museum grounds the connections to the town by linking different surrounding areas in an overall plan where all circulation is linked in a unified structure. The project conveys an open and progressive attitude that makes diverse utilization possible.The Museum design approach is rooted in rationality and sustainability. The plan geometry is deceptively simple, the characteristic angled shapes are limited to the roof and the external wall, making the circulation and internal organisation clear and flexible. The public areas are clearly separated from the administration wing, which is located on both the ground and first floor. Exhibition rooms, the auditorium and the library are all placed on the ground floor to increase flexibility and user experience. The transparency of the reception room permits supporting internal and external activities. Large sliding doors separate the permanent and temporary exhibition areas, giving the curators the ability to combine or separate the spaces. The archives and workshops are located on the basement level, with the vertical circulation of large items facilitated by a large goods lift.Pine is the primary building material of the museum. Exterior walls and roof are made of solid timber in combination of steel beam when required. The terrain entailed the use of concrete, however its use was reduce to the foundations. Exterior walls and ceilings covered with maintenance-pine relief tempered with bio-based oil.Different openings filter the daylight in such way that the internal space are enriched by gradations and translucency nuances. However, the main exhibition rooms are black boxes, giving the curators total control of artificial lightening in these areas. All the glazing units have high-energy performance glass, in some locations with silk printed colours and patterns.The impact on the Nordic society:The Romsdal Folk Museum is a great example of strategic use of low-tech building solutions. It embodies the national policy in Norway to aim for a more sustainable future. The museum is built using Norwegian timber technology and acts as a hub forcultural development.In this building, the people of Molde as well as visitors and tourists are given the opportunity to connect and to build a wider community. The museum hosts not only exhibits about Norwegian culture but also concerts, workshops and lectures on a day-to-day basis.The architectural form brings together the region's folk culture and the area's characteristic landscape qualities in a larger composition. The range of perspectives and activities ensures a broad audience, with the museum becoming a living centre for the exploration of the region’s history, contemporary culture, and future.Schöningen Germany paleontology research and experience center Architects: Holzer Kobler ArchitekturenLocation: Schöningen, GermanyArea: 4,090 ㎡Year: 2013Photographs from : Courtesy of Holzer Kobler ArchitekturenFrom the architect. ArchitectureThe PALÄON pushes itself out of the slightly hilly topography and cuts into the forested meadows.The volume of the three-story building and the paths emanating from it form lines of sight that divide the landscape into vectors. A second winding path system forms synapses that connect to the surroundings. The building is a camouflage –a hyperrealistic abstraction of the landscape.The metallic skin of the PALÄON mirrors the meadows and forests that surround it as well as the movements of the clouds in the sky passing by. Through its archaic form, the research and experience center becomes one with its surroundings. Sharp, large- formatted cuts into the building façade offer wide-reaching and fascinating views to the place where the spears werediscovered, the pit of the brown coal mine, the nearby forest, and the Przewalski horses grazing in the meadows. The expressive openings cut into the building like spears in the skin of the horses and reflect this dynamic in the form language. The abstract cuts into the building also formally react to the neighboring traces of opencut mining. The resulting expressive architecture mediates between manmade and natural landscape and forms an emblem for the place.ExhibitionThe experience exhibition, with its presentation of the original site from Schöningen lies at the heart of the project. Memorable images speak to the visitor’s senses and emotions. New findings on our ancestors, the homo erectus, his daily life and the flora and fauna that existed around 300,000 years ago are presented as well as connections to current themes such as climate change and sustainability.The circuit through the exhibition begins in the three-story foyer in the middle of the building, which connects all of the views to the outside. The tall space creates view axes to the research and exhibition areas in the first and second floors as well as vistas to the brown coal mine. Here is where all paths leading to the programmatic areas, such as exhibition, educational areas, administration, restaurant or shop, begin and end. The foyer then leads one back to prehistoric times through the lacquered cross-section of the geological and archaeological layers of the excavation.Central to the exhibition design is the sculptural white exhibition structure, whose form vaguely resemble those of horse bones. Through enlargement and abstraction, a row of theme cabinets form a spatially activating element with views alternating with large-format artwork. Highlight to the exhibition circuit is the spears` cabinet that presents the world-wide uniques wooden spears from the stone age. Finally the panoramic cinema makes 300,000 years emotionally experiential.Upon leaving the main exhibition space and crossing the foyer one last time high above the entrance, current archaeological excavation and research work in Schöningen can be experienced in the research area. In the laboratory, visitors solve a tricky case with modern archaeological methods.The professional laboratory and workspaces of the archaeologists on-site are strung along the exhibition circuit and can be examined by the visitors. The ‘Adventure Research’ that takes place here daily is made comprehensible for laymen, children and experts and allowed to be experienced close-up – in the PALÄON itself and the exhibition site outdoors.LandscapeFor the design of the outdoor spaces of the new research and experience center, two complementary form languages were introduced into the landscape.They differ functionally and formally in the newly created park landscape echoing an inter-glacial cycle of primeval times and in the access and gathering areas, which are strongly influenced architectonically through the building. To the east, dense woods will soon cover half of the area of the site. To the west and surrounding the PALÄON stretch dappled forests, as well as meadows and a lake, which also accommodate the fenced- in area for the Przewalski horses. A curving network of paths leads the visitor to special viewpoints, attractions, and makes necessary connections. For example, the design of the playground was inspired from extinct primeval animals. And from a slightly raised point at one area of the lake, the visitor is given an ideal view of where the wild horses reside.Spa Hot Springs Resort Ming Tang, Bazhou,Hebei Province of China.Architect: CT Design + Cooperation TeamLocation: Bazhou City, Hebei Province, ChinaSite Area: About 12 hectares at the first phaseInvestment: About 600,000,000 TWDHot Spring Hotel Area: About 13,000 ㎡Completion: Nov 2010Photographs: TonyBACKGROUNDWith advantage of location about distance from Beijing city by car in 1 hour and resource of hot spring, Bazhou has been planed and developed as hot spring town in Hebei Province of China. There are 6 pieces of land allotted to 6 investment groups in the new development area and the project is 1 of 6 hot spring resorts.ISSUE & AGENDAHow to redefine quality for 5 star resort hotel which is not mainly by it’s physical lux ury but more about rich nature experience is the issue we have and how to create resort as one sustainable environment is our main concern. Therefore, environment goes first, then landscape experience, architectural form is just based on how to integrate it with surroundings.SITE SITUATIONThe site is flat which is about 18 hectares in rectangle shape (12 hectares for the first phase) and as normal northern landscape in China. Cold winter wind comes from northwest direction and cool summer wind comes from southeast direction. Moreover climate and landscape situation is very different at 4 reasons – spring is comfortable, summer is hot which will reach to 32 degree at highest, autumn is cool, and winter is cold about minus 10 degree at lowest. So how to use these varied experience for resort is the one of main points for design.ABOUT PLANNING & LANDSCAPEMore Nature, More SustainableNew topography created intends to respond to site’s situation which is to have high hill at north side working as defence for cold winter wind and low hill at south side to guide cool summer wind into the site.Topography also works as base to creates three landscape typologies which will create multiple landscape experience – the hilltop as grassland, the hillside as forest, and the low land as hot spring. Hotel and villas will be set at different position and zoning as groups with different landscape theme such as hot spring, forest, and lake.As hot spring resort, water is the main subject and is used as main landscape element. From hot spring to SPA, from dam to waterfall, and from water courtyard to surrounding lake, we intend to create more chance for guest to experience hot spring in many different ways.About water system, secondhand hot spring is collected and pumped into waterfall and water wall in courtyard. Water will flow from high level to low level, from inside to outside, from water courtyard to entrance pool and down to lake and river. Finally water will be pumped back to water courtyard at the end pool of river as one circulating system.ABOUT ARCHITECTURE & SPACEArchitecture in Nature, Nature in Architecture“Architecture in Nature, Nature in Architecture” is our basic concept for the hotel. In the way, we intend to create weak and humble architecture which is harmonious and consistent with surroundings.We take linear form for building as the way to integrate it with surroundings in stead of creating one big solid object as normal business hotel on landscape. Linear form is as loop putting on topography which still will keep landscape inside and can give maximum proximity and access to the landscape. Moreover, it also works as corridor to guide guest experiencing environment and as the best circulation for flow of people as well.Based on arrangement of landscape, the hotel space is arranged in 3 loops following topography from level +0.2m up to level +1.1m.3 LOOPSLoop 1: Lobby, Café, SPA, indoor / outdoor swimming pool – water zoneSurrounded by water and looks like standing on it, our intention is to integrate inner space with surrounding big water. And due to temperature difference, hopefully hot spring could create kind atmosphere that hotel will look like as in mist in winter.Loop 2: Restaurant – flower zoneSurrounded by flower and encircling sakura courtyard, we intend to create kind atmosphere which is comfortable and refined in restaurant.Loop 3: Guest room area – bamboo forest zoneDue to it’s special character and ability to surviv e in winter, bamboo is chosen to create forest for guest room area which is not just only to provide privacy but also create kind feeling of meditation, especially for hot spring area in guest room towards bamboo courtyard.EXPECTATIONWe hope this resort could be as an environment which people can experience by not just only vision, but hearing, smell, and touch as well. It is just simply you can hear voice of water, birds, and wind going through bamboo, and can feel hot spring and smell flower as well.翻译:挪威Romsdal民俗博物馆图片来源:Stiftelsen Romsdalsmuseet这是由Reiulf Ramstad建筑事务所设计的Romsdal民俗博物。