It was from the child‘s vision, hearing and feeling in three areas to talk about their unique aesthetic features. “Little Tadpole Looking for Mom” made in 1961’s, from master painter Qi Baishi wriggled across the screen. The spirit of traditional arts flowed in this creation. This movie wins a lot of awards, such as the Silver Sail for Short Films in the 4th Locarno International Film Festival. The production started a wave of activity through the international cartoon world.
the camera reel is filming.
The movie only has 19 minutes. The story is simple, but rich in content. It is a Milestok Animation is a traditional Chinese ink painting style used for the animated show.
It has deeply traditional cultural characteristics and strong ethnic characteristics. From “Little Tadpole Looking for Mom” to “Scenic”, every ink animation occupies a good market position of animation, mainly due to ink features like animation production to captivate the children.
music etc.
and perform an analytical comparison on specific aspects of the story. Then we can borrow from the analytical process,
understand the characteristics and strengths of the Chinese animation of water ink, and the predicament that current Chinese animation of water ink
Landscape is a Classic in the history of Chinese animation art. It shows the rich
ethnic style of the Chinese film. Excellent traditional cultural thoughts are embodied in the arrangement of plot structure, ink painting techniques and the use of the background music rhythm. The movie does not have any
we determine the story characters’ personality, use of color, the water ink performance skill method, the movie camera spot, the lens language, dub in background
world. This text borrows from the water Ink
animation work.
Here are a few examples of Chinese ink animation: The Herding Whistle, The
Landscape Feeling, The Deer Bell, The Praying Mantis Catches The Cicada , When the snipe and the oyster etc. From the story contents
Chinese animation of Ink
Chinese ink painting animation was
bornin 1960. It combines the traditional ink painting techniques with the stories that
areuniquely Chinese in the fable or fairy tale. These stories are extremely different from the animations of Europe, the United States and Japan. It reflects the aesthetic thinking of the Chinese people and creates new style in the
words.
The amazing thing is that the lens turns to the old piano teacher to play the ancient piano in this way: hook, pick, play, pick and so on, even the left hand, the tone, and so on as