outstanding artist and calligraphist in mpanese praised him highly, called him The First Man after The Tang Dynasty and cast his bronze statue.
齐白石专长花鸟，笔酣墨饱，力健有锋。他画虫草则一丝不苟，极为精细，特 别是他画的虾、蟹、蝉、蝶、鱼、鸟等水墨淋漓，洋溢着自然界生气勃勃的气息。
第四章 中国现代美术名家名作介绍
《蛙声十里出山泉》是齐白石91岁时，应我国著名文学家 老舍之求并以“蛙声十里出山泉”为命题所作的一张水墨 画。
第四章 中国现代美术名家名作介绍
第四章 中国现代美术名家名作介绍
齐白石（1863—1957）湖南湘潭人。是我国20世纪 著名画家和书法篆刻家。曾任北京国立艺专教授、中 央美术学院名誉教授、北京画院名誉院长、中国美术 家协会主席等职。曾被授予“中国人民艺术家”的称 号、荣获世界和平理事会１９５５年度国际和平金奖、 １９６３年诞辰１００周年之际被公推为“世界文化 名人”等等。 Qi Baishi(1863 --- 1957) He was born in Xiang Tan, Hunan Province. He was an outstanding artist and calligraphy. He used to be a professor in Beijing Staterun Art College, reputed professor in China Art University, reputed rector in Beijing Painting University, the Chairman of China Artist Association, etc. He was given the honor of “Chinese People’s Artist” , obtained the International Peaceful Prize in 1955, and he was also given “World Cultural Famous Person” in 1963 in his 100 anniversary.
第四章 中国现代美术名家名作介绍
吴昌硕的《墨梅图》
第四章 中国现代美术名家名作介绍
《梅石图》
梅花是吴昌硕笔下常见的题材，他画梅常伴以巨石，认 为“石得梅而益奇，梅得石而愈清”，把梅石结合比作“知 交”或“双清”。画墨梅也常画红梅，并佐以顽石，或撇几 笔竹子作为陪衬，亦爱画雪中之梅，题以“晴雪”，有时题 上“不知是雪是梅花”，更增佳趣。
在中国现代产生了许多影响深远的美术作品和杰出的画家,其中有 20世纪的一百年中,是中国画史上发展最迅速,成果最显著的时期,它经 历了从衰微、探求、奋进，至今已走向复兴的历程。画坛群星灿烂、 名师辈出。
Many profound-effect artistic works and outstanding artists have emerged in modern time in China. During the one hundred years in the 20th century, Chinese art is of rapid development with remarkable achievement. It experienced feebleness, searching, development, revival, glorious and great master born out.
There is no knacks for his succeed from a carpenter, a folk artisan and then to be a world famous painting master, not even mysterious truth but his belief and determination, and depended on his hardworking as well as his strugglement.
下面我们以中国画为主向同学们介绍我国20世纪的部分 名家名作（以画家出生先后为序）。艺术大师与一般画家 的区别，在于大师一生的个性风格变化较为突出，他有着 自己深刻的、独特的画学思想，而一般画家在这方面则是 难以企及的。
And then we mainly introduce parts of the excellent Chinese artists and their works in the 20th century. The distinction of the artists and the average painters is that the former are of the profundity and unique idea which the latter don’t have.
第四章 中国现代美术名家名作介绍
20世纪是中国画尤其是人物画复兴繁荣的世纪。仅从中国人物画来说， 不仅摆脱了清末文人仕女画衰败的状态，在几代画家的共同努力下，终于形 成了关注社会、深入生活、亲近人民、注重写实、结合传统、追求创新的现 代人物画的传统。其中徐悲鸿先生和蒋兆和先生在现代中国人物画发展的历 史上，贡献巨大，成就卓越，徐悲鸿的《愚公移山》、《九方皋》，蒋兆和 的《流民图》等都是现代人物画开先河的巨制。
【学习目标】 本章主要介绍我国20世纪著名画家和著名美术作品，使同
学们对于我国美术的民族性、艺术性极其在世界上独具特色的 艺术魅力有较深入的体会，提高同学们对我国美术和民族文化 艺术的热爱。
【基本要求】 要求认识我国现代著名美术家的形象、说出其主要代表作
品和他们的艺术创作经历和成就。
第四章 中国现代美术名家名作介绍
第四章 中国现代美术名家名作介绍
一、以中国画为主介绍我国20世纪的部分名家名作：
吴昌硕（1842-1927）近代出杰出书画家。浙江安吉人。
曾经做过清末的安东（今江苏涟水县）知县。
是我国著名画家，书法家、篆刻家。日本人称赞吴昌硕为唐
之后第一人 。
Wu Changshuo(1842--- 1927) An
《虾册》此图表现虾的形态，活泼、灵敏、机 警，有生命力。
第四章 中国现代美术名家名作介绍
齐白石先生之所以能够从一个雕花木匠、民间艺人逐 渐成长为一位驰誉国内外的大名鼎鼎的绘画艺术大师，获 得如此巨大的成功，这里并没有什么神秘之处，也没有任 何玄机和窍门，完全是靠他自己的信念和意志，靠他自己 一生勤勉辛劳、艰苦奋斗出来的。
“I have no courageous to come to China as there is a Qi Baishi in China.” It was said by B, a famous Spain Art Master. Qi Baishi was an artist we all respect and he was also an extraordinary artist. On June 1956, Zhang Daqian used to call on B for three times but failed. Zhang was an artist with determination, finally he met with B. When they met for the first time, B didn’t say even one word. But moved out a bundld of paintings. After carefully enjoying all the painting one by one. Zhang found that all the painting are Qi’s. After that, B said to Zhang: “Qi Baishi is a extraordinary artist in east. Chinese Painting are mysterious! The fish in Qi’s painting isn’t colored, but people can see the river and traveling fish from the paintings. And I can’t even draw the Ink bamboo and cymbidinm.” He also said “when comes about art, the Chinese Art must be put into the first place! I just couldn’t understand, why you Chinese come to Paris for art?” We can know Qi’s affection and value for the comments by the
Chinese painting, especially figure painting is reviviscence and flourishing during 20th century. …… Mr. Xu Beihong and Jiang Zhaohe were two man with remarkable achievement and did much for the development of the figure painting.
齐白石说“余之画虾已经数变，初只略似， 一变逼真，再变色分深浅，此三变也。”齐白 石充分掌握了墨分五色的传统水墨功能，用淡 墨画头部，次淡墨画身躯和尾部，用线条勾画 虾须与附肢，并对虾钳加以夸张，随后又用浓 墨点睛和脑，以求点、线、面的结合，使墨色 互相交融，浓淡相间，有层次，有节奏，达到 了墨沉淋漓，气韵生动的艺术情味。他在图中 不画水，但却有水的感觉。虾的四周留出空白， 使画境更为开阔、明豁，突出了主题。