Mellon Hall of Science 1968
Mellon Hall of Science 1968
Mellon Hall of Science 1968
Mellon Hall of Science 1968
New National Gallery, Berlin，1968
New National Gallery, Berlin，1968
Less is More.
—— Mies Van Der Rohe
Mies Van Der Rohe的贡献在于通过对钢框架结构和玻璃在建筑中应用的 探索，发展了一种具有古典式的均衡和极端简洁的风格。其作品特点是整洁和骨 架露明的外观，灵活多变的流动空间以及简练而制作精致的细部。 他早期的工作展示了他对玻璃窗体的大量运用，这使之成为其成功的标志。 密斯从事建筑设计的思路是通过建筑系统来实现的，而正是这种建筑结构把他带 到建筑前沿。同时，他提倡把玻璃、石头、水以及钢材等物质加入建筑行业的观 点也经常在他的设计中得以运用。密斯· 德· 范· 罗运用直线特征的风格进行设计， 但在很大程度上视结构和技术而定。在公共建筑和博物馆等建筑的设计中，他采 用对称、正面描绘以及侧面描绘等方法进行设计；而对于居民住宅等，则主要选 用不对称、流动性以及连锁等方法进行设计。
10.1959 纽约西格拉姆大厦（Seagram Building New York, NY） 11.1968 梅隆科技馆（Mellon Hall of Science）
12.1968 德国柏林新国家美术馆（National Gallery Berlin, Germany）
巴塞罗那国际博览会德国馆，密斯· 德· 范· 罗的代表作品，建成于 1929年，博览会结束后该馆也随之拆除，其存在时间不足半年，但 其所产生的重大影响一直持续着。 1986年复建起来的巴塞罗那德国展馆。
6/48
Reasons:
1. 成功的CEO大都是已婚并且有孩子，因为换尿布可以让你学习忍耐和坚持， 夫妻磨合过程可以让你学会同理心和团队精神，养育青少年可以让你学好情 感管理和影响他人。——李开复 2. “当我不停地重复一句话，直到我受不了了，差不多这时候员工就会听进去 了。通常这是20次左右。” ——谷歌CEO施密特
Among many awards from the AIA and other prestigious institutions, Nakashima received the Third Order of the Sacred Treasure from the Emperor and Government of Japan in 1983 in recognition of the cultural exchange generated by the shows he produced in Japan from 1968-1988. His last show in the U.S., the retrospective "Full Circle" which opened at the American Craft Museum in New York, sponsored by the American Craft Council and curated by Derek Ostergard, marked him as a "Living Treasure" in the United States. This show returned to New Hope shortly before Nakashima's receiving his final award, Alumnus Summa Laude Dignatus, from the University of Washington one week prior to his death in June 1990.
Barcelona Pavilion
密斯/十字形柱/Detail of the metal pillar
Tugendhat House 十字形柱/1928-1930
1959 Seagram Building New Yor k, NY
1959 Seagram Building New York, NY
New National Gallery, Berlin，1968
New National Gallery, Berlin，1968
Newational Gallery, Berlin，1968
New National Gallery, Berlin，1968
New National Gallery, Berlin，1968
New National Gallery, Berlin，1968
马列维奇
《白底上的黑色方块》
Barcelona Chair
Barcelona Ottoman
Barcelona Daybed
Barcelona Table
1959 Seagram Building New Y ork, NY
lake shore drive apartments
chairs on the 26th floor of the lake shore drive apartments
under construction, 1950/51 lake shore drive apartment building
6.1946 美国伊利诺斯州普莱诺 范士沃斯住宅（Farnsworth House Plano, IL）
7.1948 湖滨公寓（Lake Shore Drive Apartments） 8.1952 美国伊利诺工学院建筑及设计系馆（Chapel of Saint Savior IIT）
9.1956 美国伊利诺理工学院皇冠厅（Crown Hall IIT）
经典作品：
1. 1927白森毫夫公寓大楼（Weissenh of Apartment Building） 2.1928 德国克雷费尔德朗格住宅（Lange House Krefeld, Germany）
3.1929 西班牙巴塞罗那博览会德国馆（Barcelona Pavilion）
4.1930 捷克斯洛伐克布尔诺（Tugendhat House, Brno） 5.1933 德国柏林 密斯· 德· 凡· 罗住宅（Mies van der Rohe House Berlin）
Brno Chair Flat
Brno Tubular Chair
永远的经典 George Nakashima
About George Nakashima George Nakashima was born in Spokane, Washington in 1905 and grew up in the forests of the Olympic Peninsula. He received a Bachelor's Degree in architecture at the University of Washington and a Master's from MIT in 1930, as well as the Prix Fontainebleau from L'Ecole Americaine des Beaux Arts in France. After spending some time in Paris, he traveled around the world and secured a job at the Antonin Raymond office in Tokyo which sent him to Pondicherry, India, where he was the onsite architect for the first reinforced concrete building in that country and became one of the first disciples of Sri Aurobindo. When the war broke out, he returned to the U.S. via Tokyo where he met Marion, married in 1941 and was sent to the camps in Minidoka, Idaho in 1942 with his infant daughter, Mira. Through the sponsorship of Antonin Raymond, Nakashima came to work on his farm in Bucks County, subsequently rented a small house on Aquetong Road and then purchased a parcel of land where he designed and built his workshop and house.
3. ……
别人骂你一句，你回骂他一句，这就叫吵架。
别人赞美你一句，你回一句赞美，这就叫社交。
You have to know:
1. 在集体中学会承担责任。 2. You can’t connect the dots Looking forward. You can only connect them looking backwards. You have to trust the dots will somehow connect your future. ——Steve Jobs (你无法预知未来，仅能回顾。所以你必须相信，生命中的点点滴滴有天都将连结
密斯认为，当代博览会不应再具有富丽堂皇和竞市角逐功能的设 计思想，应该跨进文化领域的哲学园地，建筑本身就是展品的主 体。