"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. It was first published in 1831 collection Poems of Edgar A. Poe then reprinted in 1836 in the Southern Literary Messenger. Poe revised the poem in 1845, making several improvements, most notably changing "the beauty of fair Greece, and the grandeur of old Rome" to "the glory that was Greece and the grandeur that was Rome." These improved lines are the most well-known lines of the poem.BackgroundEdgar Allan Poe wrote “To Helen” as a reflection on the beauty of Mrs. Jane Stith Stanard, who died in 1824. She was the mother of one of Poe’s school classmates, Robert Stanard. When Robert invited Edgar, then 14, to his home in 1823, Poe was greatly taken with the 27-year-old woman, who is said to have urged him to write poetry. He was later to write that she was his first real love.ThemeThe theme of this short poem is the beauty of a woman with whom Poe became acquainted when he was 14. Apparently she treated him kindly and may have urged him–or perhaps inspired him–to write poetry. Beauty, as Poe uses the word in the poem, appears to refer to the woman's soul as well as her body. On the one hand, he represents her as Helen of Troy–the quintessence of physical beauty–at the beginning of the poem. On the other, he represents her as Psyche–the quintessence of soulful beauty–at the end of the poem. In Greek, psyche means soul.Imagery and Summary of the Poem Poe opens the poem with a simile–“Helen, thy beauty is to me / Like those Nicéan barks of yore”–that compares the beauty of Helen with small sailing boats (barks) that carried home travelers in ancient times. He extendsthis boat imagery into the second stanza, when he says Helen brought him home to the shores of the greatest civilizations of antiquity, classical Greece and Rome. It may well have been that Mrs. Stanard’s beauty and other admirable qualities, as well as her taking notice of Poe’s writing ability, helped inspire him to write poetry that mimicked in some ways the classical tradition of Greece and Rome. Certainly the poem’s allusions to mythology and the classical age suggest that he had a grounding in, and a fondness for, ancient history and literature. In the final stanza of the poem, Poe imagines that Mrs. Stanard (Helen) standing before him in a recess or alcove in front of a window. She is holding an agate lamp, as the beautiful Psyche did when she discovered the identity of Eros (Cupid). For further information on the agate lamp, Psyche, and Eros, sees the comments opposite the third stanza.Analysis:As is typical with many of Poe's poems, the rhythm and rhyme scheme of "To Helen" is irregular but musical in sound. The poem consists of three stanzas of five lines each, where the end rhyme of the first stanza is ABABB, that of the second is ABABA, and that of the third is ABBAB. Poe uses soothing, positive words and rhythms to create a fitting tone and atmosphere for the poem. His concluding image is that of light, with a "brilliant window niche" and the agate lamp suggesting the glowing of the "Holy Land," for which Helen is the beacon."To Helen" is the first of two poems to carry that name written by Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend.. It was firstpublished in 1831 collection Poems of Edgar A. Poe then reprinted in 1836 in the Southern Literary Messenger. Poe revised the poem in 1845, making several improvements, most notably changing "the beauty of fair Greece, and the grandeur of old Rome" to "the glory that was Greece and the grandeur that was Rome." These improved lines are the most well-known lines of the poem.Imagery and Summary of the PoemPoe opens the poem with a simile–“Helen, thy beauty is to me / Like those Nicéan barks of yore”–that compares the beauty of Helen with small sailing boats that carried home travelers in ancient times. He extends this boat imagery into the second stanza, when he says Helen brought him home to the shores of the greatest civilizations of antiquity, classical Greece and Rome. It may well have been that Mrs. Stanard’s beauty and other admirable qualities, as well as her taking notice of Poe’s writing ability, helped inspire him to write poetry that mimicked in some ways the classical tradition of Greece and Rome. Certainly the poem’s allusions to mythology and the classical age suggest that he had a grounding in, and a fondness for, ancient history and literature. In the final stanza of the poem, Poe imagines that Mrs. Stanard (Helen) is standing before him in a recess or alcove in front of a window. She is holding an agate lamp, as the beautiful Psyche did when she discovered the identity of Eros (Cupid). For further information on the agate lamp, Psyche, and Eros, see the comments opposite the third stanza.The ThemeThe beauty of a woman with whom Poe became acquainted when he was she treated him kindly and may have urged him or perhaps inspired him to write poetry.Beauty,as Poe uses the word in thepoem ,appears to refer to the woman’s body as well as her soul.On the one hand ,he represents her as Helen of Troy—the quintessence（典范）of physical beauty-at the beginning of this poem.On the other ,her represents her as Psyche –at the end of the Greek,Psyche means soul.Stanza 1The poet first mentioned Helen, the most famous beauty in Great mythology. Then Poe compared himself to Odysseus, who wandered for ten years over the sea to get home. As Odysseus, Edgar Allan Poe was persistent in his chasing after fine arts with the sincere belief that art, or beauty and truth, is the ultimate aim, the home, for the wandering poet; while Helen, the embodiment of ancient beauty, is the guider to that dreamland 诗人第一次提到海伦,最著名的风景就像是伟大神话。