The phantom of the opera Andrew Roy Webb is a composer of Broadway musicals. Ghost also translated as the phantom of the opera, opera theatre or opera. Premiered in 1986, in 1988 seven received the Toni prize, is one of the musical's four major plays. "The phantom of the opera" music brings us a visual and auditory enjoyment.Whether it is a ghost, Kristen or Raoul can bring us different perception of music, they go to the interpretation oftheir love with your own voice. This is undoubtedly to the audience is a kind of beauty to enjoy music.This is a typical and touching love story, about a mysterious ghost haunts the opera with a mask to hide her ugly face, fall in love with a soprano singer story. There is the complex feelings of the characters, dramatic conflict filled with tension, as well as the nineteenth Century society unique that erupted from rigorous mysterious fear andrepressed. Stage unfolds the Grand Theater momentum magnificent, the ghastly terrorist underground world,sensitive young aristocrat, delicate and charming girl donna. And the face, that is hidden in the callous terrorbehind masked inferiority jealousy, rage and fragile heart, almost all can mobilize the audience emotional elementsare concentrated in the Caston Lehu de in the original work, and in Webb's hands as it brushed the dust, and thensplit fanghua.I think the most wonderful opera arias than the ghost of the first act and the heroine Kristen below the ancient The Paris Opera House, soulful duet "unfathomable depth of two two people of the phantom of the opera", singingmany bel composition, musical motives in different tune again and again, the time that the Yizhenyihuan like sleephalf awakened drama show incisively and vividly, emotional integration will be filled with love and fantasy behaveand plaintive, perfect and moving; use the melody rhythm in a dotted figure, there is a strong push and a sense of tension, produced the first emotional climax of the play, Kristen and the ghost with singing, so that the audience was completely immersed in the beautiful, sincere and somewhat sentimental romantic love story, while also looking forward to the ghost, Kristen, Raoul these two men and a woman's feelings the next will be how to develop.When Raoul of the Christian feelings give affirmation will sounded a The point of no return, I saw Kristen'sfascination with phantom and dependence, I think she is the love of a few degrees of phantom of the opera, but the fact is the phantom of a deep dependence. There is still a "All I Ask of You", is repeated in the play a melody, in different games for different roles have different lyrics. It can be said, this is the theme melody, a different interpretation of different roles, different lyrics, the expression of two men of Kristen different love."The phantom of the opera" is not only made amazing achievements in music and art, in the circumstances of thecontent is more and more audience very deep shock! At the end of the film, the film gives us a lot of imagination.Kristen cemetery next to the corner, a red rose with a ghost had given her the ring, lying there quietly, despite years of passing waves. So quiet ending but let a person feel the wordless true lingering in my mind. The theatre has been dilapidated, youth has become the old man, hegot monkey music box ghost, and be enshrined in thedeath of the wife of the tomb, wish have a sigh of relief, this is his wish, or her last words? To be sure, she never forgot her angel, when her husband saw the grave was parked in a single tied with black ribbon of red roses -- thatis the ghost of a token of love, just set the specter had intended to send her a diamond ring wedding, her husbanddidn't feel particularly surprised the audience saw his maturity and the wife really understand. Time elapsed, roses are red.In short, this is a very worthy of recommendation musical a look, thank the teacher played the phantom of the opera "for us"!译文：歌剧魅影是一部安德鲁·洛伊·韦伯作曲的百老汇音乐剧。
又译做歌声魅影、剧院魅影或歌剧院的幽灵。
1986年首演，于1988年获得七项托尼奖，是音乐剧四大名剧之一。
《歌剧魅影》的音乐带给了我们视觉和听觉上的享受。
无论是幽灵、克里斯汀还是拉乌尔都带给了我们不同的音乐感受，他们用自己的声音去诠释了对各自的爱。
这无疑对观众来说是一种音乐美的享受。
这是个典型而感人的爱情故事，关于一个出没歌剧院里，用一副面具遮掩自己丑陋面孔的神秘幽灵，爱上一个女高音歌唱演员的故事。
这里面有错综复杂的人物感情，充满张力的戏剧化冲突，以及19世纪社交界特有的那份自严谨中爆发出来的神秘恐惧和性格压抑。
舞台上展现出气势恢宏的大剧院，阴森恐怖的地下世界，敏感多情的贵族青年，楚楚可怜的红伶少女。
还有那张脸，那隐藏在木然恐怖的假面背后的自卑嫉恨，狂暴而又脆弱的心灵，几乎所有可以调动观众情绪的要素都浓缩在卡斯顿-勒胡德原著中，并在韦伯的手中为它拂去浮尘，再绽芳华。