Iambic pentameter is a commonly used type of metrical line in traditional English poetry and verse drama. The term describes the rhythm that the words establish in that line, which is measured in small groups of syllables called "feet". The word "iambic" refers to the type of foot that is used, known as the iamb, which in English is an unstressed syllable followed by a stressed syllable. The word "pentameter" indicates that a line has five of these "feet".Iambic rhythms come relatively naturally in English. Iambic pentameter is the most common meter in English poetry; it is used in many of the major English poetic forms, including blank verse, the heroic couplet, and some of the traditional rhymed stanza forms. William Shakespeare used iambic pentameter in his plays and sonnets.Allegory Allegories are typically used as literary devices or rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey.Epic(史诗) An epic is a long oral narrative poem that operates on a grand scale and deals with legendary or historical events of national or universal significance .Most epics deal with the exploits of a single individual and also interlace the main narrative with myths, legends, folk tales and past events; there is a composite effect, the entire culture of a country cohering in the overall experience of the poem . Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.简史P39Blank verse is poetry written in regular metrical but unrhymed lines, almost always iambic pentameters.[1] It has been described as "probably the most common and influential form that English poetry has taken since the 16th century"[2] and Paul Fussell has estimated that "about three-quarters of all English poetry is in blank verse."[3]Christopher Marlowe was the first English author to make full use of the potential of blank verse. The major achievements in English blank verse were made by William Shakespeare. Blank verse, of varying degrees of regularity, has been used quite frequently throughout the 20th century in original verse and in translations of narrative verse.Ode(颂歌) Long, often elaborate formal lyric poem of varying line lengths dealing with a subject matter and treating it reverently. It aims atglorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Conventionally, many odes are written or dedicated to a specifie subject. For instance,Ode to the West Wind is about the winds that bring change of season in England. Ode to the Nightingale is about the nightingale that lures the poet temporarily away from his great misery. The earliest English odes include the Epithalamion and the Prothalamion,or marriage hymns by poet Edmund Spenser.Metaphysical poetry（玄学诗） a derogatory term invented by John Dryden(1631-1700 ) and later adopted by Samuel Johnson(1709-1784) describing a school of highly intellectual poetry marked by bold and ingenious conceits,incongruous imagery,complexity of thought,frequent use of paradox,and often by deliberate harshness or rigidity of expression.The main themes of metaphysical poets are love,death,and religion.According to them,all things in the universe, no matter how dissimilar they are to each other,are closely unified in God.The chief representative of this school was John Donne.Byronic belonging to or derived from Lord Byron(1788-1824)or his works. The Byronic hero is a character-type found in his celebrated narrative poem Childe Harold’s Pilgrimage(1812-18),his verse drama Manfred(1817),and other works:he is a boldly defiant but bitterly self –tormenting outcast,proudly contemptuous of social norms but suffering for some unnamed sin. Emily Bronte’s Heathcliff in Wuthering Heights(1847)is a later example.Heroic couplet a rhymed pair of iambic pentameter lines:Let Observation with extensive ViewSurvey Mankind, from China to Peru (Johnson)Named from its use by Dryden and others in the heroic drama of the late 17th century,the heroic couplet had been established much earlier by Chaucer as a major English verse-form for narrative and other kinds of non-dramatic portry: it dominated English poetry of the 18th century,notably in the couplets of Pope,before declining in importance in the early 19th century.Soliloquy a dramatic speech uttered by one character speaking aloud while alone on the stage (or while under the impression of being alone).The soliloquist thus reveals his or her inner thoughts and feelings to the audience,either in supposed self-communion or in a consciously direct address. Soliloquies often appear in plays from the age of Shakespeare, notably in his Hamlet and Macbeth. A poem supposedly uttered by a solitaryspeaker,like Robert Browning’s‘Soliloquy of the Spanish Cloister’(1842),may also be called a soliloquy. Soliloquy is a form of monologue,but a monologue is not a soliloquy if (as in the dramatic monologue) the speaker is not alone.简史P39 Sonnet a lyric poem comprising 14 rhyming lines of equal length:iambic pentameters in English,alexandrines inFrench,hendecasyllables in ltalian. The rhyme schemes of the sonnet follow two basic patterns.①The Italian sonnet②The English sonnetSpenserian stanza （宾塞诗体）an English poetic stanza of nine iambic lines, the first eight being pentameters while the ninth is a longer line known either as an iambic hexameter or as an alexandrine.The rhyme scheme is ababbcbcc. The stanza is named after Edmund Spenser,who invented it------probably on the basis of the ottava rima stanza-----for his long allegorical romance The Faerie Queene (1590-6). It was revived successfully by the younger English Romantic poets of the early 19th century: Byron used it for Childe Harold’s Pilgrimage(1812,1816), Keats for‘The Eve of St Agnes’(1820),and Shelley for The Revolt of Islam (1818)and Adonais (1821).Lake poets William Wordsworth, Samuel Taylor Coleridge, and Robert Southey became known as the Lake Poets, because they lived in the Lake District in the northwestern part of England. According to the critics, such as, Francis Jeffrey, Thomas De Quincey, the Lake Poets shared only friendship and brief periods of collaboration, not similar philosophies or poetic styles.Wordsworth used his imaginative powers to idealize nature, Coleridge explored the philosophical aspects of poetry,Southey's Romantic efforts centered on travel and adventure.Stream of Consciousness(意识流) Stream of Consciousness(意识流)：Stream of consciousness, which presents the thoughts of a character in the random, seemingly unorganized fashion in which the thinking process occurs, has the following characteristics. First, it reveals the action or plot through the mental processes of the characters rather than through the commentary of an omniscient author. Second, character development is achieved through revelation of extremely personal and often typical thought processes rather than through the creation of typical characters in typical circumstances. Third, the action of the plot seldom corresponds to real, chronological time, but moves back and forth through present time to memories of past eventsand drams of the future. Fourth, it replaces narration, description, and commentary with dramatic interior monologue and free association.Critical Realism(批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing the bourgeois society through conscious human effort. Their works do not point toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism.Classicism（古典主义）: A movement or tendency in art, music, and literature to retain the characteristics found in work originating in classical Greece and Rome. It differs from Romanticism in that while Romanticism dwells on the emotional impact of a work, classicism concerns itself with form and discipline.Romanticism(浪漫主义) The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, stupidity, superstition, and barbarism. Instead ,the Romantics asserted that reliance upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics and living.The Romantic movement typically asserts the unique nature of the individual, the privileged status of imagination and fancy, the value of spontaneity over “artifice” and “convention”, the human need for emotional outlets, the rejection of civilizedcorruption, and a desire to return to natural primitivism and escape the spiritual destruction of urban life Their writings are often set in rural, or Gothic settings and they show an obsessive concern with “innocent”characters----children, young lovers, and animals. The major Romantic poets included William Blake, William Wordsworth, John Keats , Percy Bysshe Shelley, and Lord Gordon Byron.Aestheticism( 美学主义) The basic theory of the Aesthetic movement----“art for art’s sake”----was set forth by a French poet, Theophile Gautier. The first Englishman who wrote about the theory of aestheticism was Walter Pater, the most important critical writer of the late 19th century. The chief representative of the movement in England was Oscar Wilde,with his Picture of Dorian Gray. Aestheticism places art above life, and holds that life should imitate art, not art imitate life. According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake,can it be immortal They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style. This was one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.Neoclassicism The term mainly applies to the classical tendency which dominated the literature of the early period. It was, at least in part, the result of a reaction against the fires of passion which had blazed in the late Renaissance, especially in the metaphysical poetry. It found its artistic models in the classical literature of the ancient Greek and Roman writers like Homer, Virgil, Horace, Ovid, etc. and in the contemporary French writers such as Voltaire and Diderot. It put the stress on the classical artistic ideals of order, logic, proportion, restrained emotion, accuracy, good taste and decorum.Such elegant styles were found in almost all the writings of the period, especially in those of John Dryden, Alexander Pope，Jonathan Swift, Joseph Addison, Richard Steele, Henry Fielding, Samuel Johnson, Oliver Goldsmith, Edward Gibbon , the man who wrote the famous history The Decline and Fall of the Roman Empire(1776―1788) , and other neoclassicist writers. They were careful imitators. Their approach was thoroughly professional. Their works, mostly refined and perfect, are conscientiouscraftsmanship and often highly didactic. Neoclassical poetry , as represented by Dryden, Pope, and Johnson, reached its stylistic perfection during the period, although to the modem readers it seems to lack in imagination and energy. The neoclassical poetry is one of the most significant phenomena in the literature of the age, to which it has given its name.Naturalism（自然主义）: it first appeared in France, there naturalists including Zola turned especially to “slum life”, in England flourished in the 2nd half of 19th century; naturalists argued that literature reflect life, be “true to life”, writer must reproduce in his writings life exactly as it is, (including all details without any selection), theory of “a slice of life”; However, a fallacy, for impossible to include all the details in real life; only give the appearance of life but not its essence. In England, two outstanding writers in the last decades: George Gissing, George Moore.Neo-Romanticism（新浪漫主义）: it appeared at the end of 19th century and represented by Robert Louis Stevenson; it protests against the ugly social reality of their day but taking no positive steps about it，in a sense another form of escapism; dissatisfied with the contemporary reality, but at best a mild dissatisfaction; tried to find interest or enjoyment out from sheer imagination and fancy by creating exciting events and romantic characters that can hardly exist in reality，indulge in the description of exciting adventures in distant lands to deal with the heroic, to lay emphasis on the complexity and sensationalism of the material, Treasure Island, the representative in this school.Modernism（现代主义）: Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia Woolf.。