Perspectivfour Perspective bars, properly lined up with edges in the picture (Chapter 7).
Move the Axis Origin to a logical place
Color Plate 13: Placing the Axis Origin in a good spot (Chapter 7).
4 grid lines high (approx.)
Color Plate 14: Using the grid lines to give your picture an approximate scale (Chapter 7).
Draw an edge from here...
...to here
Color Plate 15: Tracing an edge in one of the three main directions (Chapter 7).
Color Plate 16: Creating a face to match a surface in the photograph (Chapter 7).
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Photo Match dialog box
Color Plate 10: The Photo Match interface shows your picture, plus tools to create a model from it (Chapter 7).
Scale Line / Vertical Axis Horizon Line
Color Plate 17: Projecting textures from a picture onto a face; then orbiting around to see the result (Chapter 7).
Draw this diagonal edge by connecting the dots Color Plate 18: Using the endpoints of perpendicular edges to draw a diagonal (Chapter 7).
Vanishing Point Grip
Axis Origin
Line up each Perspective bar with an edge in your photograph
Color Plate 11: Lining up the Perspective bars (Chapter 7).
This edge should be blue Their color tells me these edges aren't right This edge should be green
Color Plate 21: Use Styles to make your model look any way you want (Chapter 9).
Color Plate 9: A transparent version of your image, along with four colored pins, appears when editing textures (Chapter 7).
Perspective Bars
Photograph
Edge
Color Plate 19: A model created from two Photo Matches (Chapter 7).
Color Plate 20: Turning on Color by Axis helps you track down edges that aren't what they seem (Chapter 16).