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本科毕业论文

以《山丹丹花开红艳艳》为例解析王建中钢琴改编作品中的艺术特征

In "the red flowers bloom" as the artistic characteristics of

Wang Jianzhong piano works in an analysis of the

学 院（系）： 艺术与传媒学院

专 业：

学 号：

学 生 姓 名：

入 学 年 度：

指 导 教 师：

完 成 日 期： 2015 年 5 月 20日

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0 摘 要

中国钢琴曲的创作从1937-1949年间开始，虽然起步较西方晚，但是通过钢琴家们不断的努力，创作水平和发展速度却十分迅猛。我国的钢琴艺术要在世界钢琴音乐宝库中占据一定的地位，需要有能体现民族风格的高水准的钢琴音乐作品，这不仅是我国作曲家们的任务，同时也需要钢琴演奏与教学的配合。随着中国钢琴的发展，大量的作品不断涌现，其中既有根据中国古典或民间乐曲改编的钢琴作品，也有根据中国民歌改编的中国钢琴作品，内容丰富多彩，展现了中国音乐的韵味，曲中运用的伴奏、和声悦耳动听。王建中先生是中国钢琴艺术发展史上的重要人物，他的钢琴改编曲为中国钢琴艺术的发展起到了巨大的推动作用。王建中先生钢琴作品最大的特点是吸取民族民间音乐的养分，创造出新的手法，新的语言，以表现中国化的新意境、新情调。文中对王建中改编曲《山丹丹开花红艳艳》进行多方面阐述，包括和声分析，伴奏方式，触键分析，手指分析，以及踏板的运用等，从音乐内部入手，总结归纳王建中钢琴改编曲的音乐特点，以及演奏技巧。在教学和演奏中表现好这些作品的音乐内涵和文化特色，是每一个中国钢琴教师与演奏者都要认真对待的问题。在王建中先生改编的钢琴作品中，不仅可以体现出浓厚的中国民族特点，还适当运用了优秀的西方创作手法。王建中先生为中国钢琴事业的发展做出了突出的贡献。

关键词：中国钢琴改编曲；艺术分析；演奏

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0 In "the red flowers bloom" as the artistic characteristics of Wang

Jianzhong piano works in an analysis of the

Abstract

Piano art in China to occupy a certain position in the world of piano music treasure

house, need to have some to reflect the national style of the high level of piano music, this

is not only our country music home tasks, are also needed piano playing and teaching.A

large number of works also slowly appeared. Both of them according to the adaptation

China classical or folk music of piano works, but also in accordance with the China piano

works China adapted from folk songs, content is very rich and colorful, very can show us

China music charm. The use of accompaniment, harmony. Are very nice. These

adaptations, is not so rigid, can be seen to listen to, Mr. Wang Jianzhong piano works, not

only can reflect a strong national characteristics China, there are some excellent western

knowledge and skill.The biggest characteristic of Mr. Wang Jianzhong's piano works is

harmonic language innovation. On three chord based traditional Western harmony

vocabulary, how to melt into Chinese five tone, to create not only keep the five sound of

nation, and break the five tones of single color. Absorb national, folk nutrient, create new

techniques, new language, to show the new conception of China, new mood. This paper

analysis, accompaniment on the works of Wang Jianzhong sound, touch, finger analysis,

and analysis are made on the pedal. Starting from the music inside, summarize the

characteristics of piano music of Wang Jianzhong to Wang Jianzhong, and adapted music

playing skills and harmonic analysis. How to do well in teaching and performing these

works the inner essence and cultural heritage, is a China piano teacher and performer will

seriously question.It is important to play Wang Jianzhong works will be emotional well

into the work, have good emotion the work will play more blew, touching, will play the

most incisive. Such works, works will be more vivid, we can better reflect China piano

works charm.

Keywords: Wang Jianzhong; China piano playing; Art

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0 目 录

摘 要 ................................................................................................................................ I

Abstract ................................................................................................................................. II

引 言 ............................................................................................................................... 2

一、王建中的生平简介 ....................................................................................................... 3

（一）王建中成长环境 ............................................................................................... 3

（二）王建中对中国音乐改编曲做出的贡献 ........................................................... 3

（三）王建中对钢琴改编曲的贡献 ........................................................................... 3

二、对钢琴改编曲《山丹丹开花红艳艳》的作品分析 ................................................... 4

（一）创作手法分析 ................................................................................................... 4

1．歌曲背景分析 ................................................................................................. 4

2．钢琴改编曲分析 ............................................................................................. 4

3．和声效果分析 ................................................................................................. 5

（二）伴奏音型分析 ................................................................................................... 5

1．对作品中全分解伴奏音型的分析 ................................................................. 6

2．对作品中半分解伴奏音型的分析 ................................................................. 7

三、王建中改编《山丹丹开花红红艳艳》演奏技法的分析 ........................................... 8

（一）手指技法的运用 ............................................................................................... 8

1．作品中和弦与八度的奏法 ............................................................................. 8

2．作品中连音的奏法 ......................................................................................... 8

（二）手指触键的方法 ............................................................................................... 9

1．触键感觉的分析 ............................................................................................. 9

2．触键的力度与技巧 ......................................................................................... 9

（三）手指力度的控制 ............................................................................................. 10

四、踏板运用的艺术分析 ................................................................................................. 12

（一） 踩踏板的方法 ............................................................................................... 12

（二） 踏板在作品中起到的作用 ........................................................................... 12

1．推动情感表达的作用 ................................................................................... 12

2．画龙点睛的作用 ........................................................................................... 13

3．富有感染力与渲染气氛的作用 ................................................................... 13

结 论 ............................................................................................................................. 14

参考文献 ............................................................................................................................. 15