他主要的作品都是模压成型的玻璃器皿，所有这 些产品都没有装饰，而是强调简洁的线条和微妙的体 型变化，有克制的探索了玻璃可塑的特征。他设计的 特制精美玻璃制品使他获得了国际声誉。
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威廉·华根菲尔德 Wilhelm Wagenfeld
（1900-1990）
As one of the most famous German designer
involved in mass production, Wilhelm Wagenfeld made the potential of industrial design in more specialized production system played further.
威廉·华根菲尔德作为参与批量化生产的最有名的 德国设计师之一，使得工业设计的潜力在更加专业化 的生产体系中得到了进一步的发挥。
Wilhelm Wagenfeld was born in Bremen, Germany.
In his early year, he worked in silver factory and received art education. In 1923, he began to teach at the Bauhaus.
华根菲尔德反对自我中心的设计观念，他指出工 业中的设计是一种协作的活动，与艺术家的工作毫无 共同之处。他否认把功能作为形式的决定性因素，认 为功能并不是最终目的，而是良好设计的先决条件。
Wilhelm Wagenfeld studied metalwork at the
Bauhaus between 1923 and 1925, where he designed the famous chrome steel tube desk lamp, which people called “Bauhaus Lamp”, and so far there is still in production.
威廉·华根菲尔德出生于德国不来梅，早年曾在银 具厂工作，并接受过艺术教育，1923年开始在包豪斯 任教。
Wilhelm Wagenfeld opposed to self-centered
concept in design. He pointed out that industrial design is a collaborative activity, which has nothing in common with the artist's work. He denied that the function is a decisive factor of the form that function is not the ultimate purpose, but a prerequisite for good design.
1923至1924年间，华根菲尔德在包豪斯研究金属 制品，在那里他设计了被人们称为“包豪斯灯”的著 名的镀铬钢管台灯，它迄今仍在生产。
From 19Leabharlann 1 to 1935, he was appointed as a
professor of the National Academy of Arts in Berlin. After leaving the Bauhaus, he went on to design a number of popular consumer products, among the most successful of which was Kubus, the modular glass storage containers he created in 1935.
1931-1935年，他被委任为柏林的国立美术学院的 教授。离开包豪斯后，他又设计了不少广受消费者喜 爱的产品，其中最成功的是他于1935年创作的模块化 的玻璃存储容器Kubus。
His major works are compression molded
glassware. All of these products are not decorative, but the emphasis on simple lines and subtle body changes, restrained explored the deformability of glass. The special exquisite glass products he designed made him acquired international reputation.