Classified Index: University Code: 10075 U.D.C: NO: 20090745 A Dissertation for the Degree of M. Arts German expressionist painting research Candi dat e：Li Hua Supervisor：Prof.Ming Jing Academic Degree Applied for：Master Degree of Arts Speci al i t y：Fine Arts University：Hebei University Date of Oral Examination：May,2012 摘要I 摘要20 世纪德国表现主义绘画是西方艺术文化的一块瑰宝，面对传统绘画形式与同时代绘画风格流派的影响，表现主义艺术家们选择兼容和分离，并且在这个过程中寻找自身的性格魅力，依托绘画范畴内的形式对内心情感和人类心理世界进行探索，在审美创作过程中表现出了一种强烈的主体情感色彩。

论文主要阐述和论证20 世纪德国表现主义绘画的审美特征。

首先从表现主义历史阶段的变迁来看，其中主要的几个发展阶段可以以艺术中心地划分为德雷斯顿、慕尼黑和柏林，与传统写实绘画相比，这些艺术家们更主张内心情感真实性；另一方面，从绘画本身范畴内的形象特征色彩表现以及材料质感等造型语言的几方面来分析，以表现主义代表性的艺术家和典型作品为依据，剖析绘画范畴内审美特征；再接着进一步寻找表现主义绘画艺术形态的理论依据，最重要的就是支持与影响表现主义绘画情感表现的美学思想以及德国本民族性格，最后经过同类对比与德国表现主义绘画一样关注情感表现的法国野兽派和中国的写意画，从而进一步明确德国表现主义绘画的审美特征的独特性。

关键词：表现主义情感形式Abstract II Abstract In the 20th century, German expressionist painting is a treasure of the western art culture. Facing the traditional painting form and contemporary painting styles influence, expressionist artists chose compatible and separation, and in the process of looking for their own personality charm, relying on the painting category in the form of emotion and human mental world to explore. They represent a strong theme color emotion in the aesthetic process. This essay mainly expounds and demonstrates the twentieth Century German expressionist aesthetic emotion. We look at the painting affective changes from historical evolution of expressionism at the first. The main several development stages are divided into Dresden, Munich, Berlin and Vienna. Compared with traditional realistic painting, these artists advocates emotional authenticity more. On the other hand, our analysis of painting within the context of real aesthetic emotions from the following several aspects, such as the painting itself within the context of the image features of color performance, Texture and modeling language.Andthen look for the basis of expressionist painting art form, the most important is the support and influence expressionism painting emotion esthetics thought and the German national character. At the last ,through comparison with similar German expressionist paintings French Fauvism and Chinese freehand brushwork which all of them are pay attension to emotional expression to further clarify the German expressionist paintings become an independent school of aesthetic emotional characteristics. Key words: expressionism emotion form 目录III 目录引言.................................................................................. ............................................... 1 第1 章表现主义历史的变迁.................................................................................. ...... 4 1.1 起源.................................................................................. ....................................... 4 1.2 德雷斯顿.................................................................................. ............................... 7 1.3 慕尼黑.................................................................................. ................................... 9 1.4 柏..................................... 12 第2 章绘画范畴中的典型特征..................................................................................14 2.1 形怪.................................................................................. .................................... 14 2.2 色浓.................................................................................. .................................... 17 2.3 质纯.................................................................................. .................................... 20 第3 章理论基础的追溯.................................................................................. ............ 23 3.1 理性的激变.................................................................................. ......................... 23 3.2 直觉思维.................................................................................. ............................. 26 第4 章同类对比.................................................................................. ........................ 30 4.1 非“安乐椅”................................................................................. ...................... 30 4.2 非“写意”情怀.................................................................................. ................. 33 第5 章情感的限制与升........ 37 结语.................................................................................. ............................................ 39 参考文献.................................................................................. ........................................ 40 致谢.................................................................................. ............................................ 41 引言1 引言“表现主义”一词的出处十分模糊，其中有一部分人会认为它与野兽派有密切联系，曾经就有评论家形容马蒂斯的绘画作品为“表现派”绘画。