浅析唐代《破阵乐》

摘要

作为初唐三大乐舞之一的唐代《破阵乐》,它的写作题材的起源，仍然存在很大的争议。《破阵乐》在当时可以说是在乐舞中的非常成功的作品之一, 它的写作并不是仅仅是唐太宗在宣传自身, 最重要的是它体现了唐太宗的治国的思想和军事的策略。可以说《破阵乐》不仅仅是在当时有非常特殊的意义, 同时，也对后代的乐舞, 特别是武舞的写作与表演也产生了非常积极的影响。

关键词：唐代；《破阵乐》；影响

Abstract

As one of the early Tang Dynasty "three dance music was therefore", its

origin writing, stillexists controversy. "Battle array." at that time can saying is one

of the very successful in the music and dance in the works, its writing not only Tang

Taizong in propaganda itself, the most important is that it reflects Tang

Taizong's ruling thought and military strategy. It can be said that "music was therefore" is

not only a very special meaning, at that time at the same time,also to the offspring of

dance, especially also had a very positive influence writing and performing martial dance.

Keywords: Tang Dynasty; "destroys the formations" effect; 目录

摘要 ..................................................................................................................................................

1

Abstract ............................................................................................................................................ 1

一、 绪论......................................................................................................................................... 3

（一）古代武舞传统 ............................................................................................................... 3

（二）《破阵乐》形成历程 ................................................................................................... 3

二、 《破阵乐》的表演形制 ......................................................................................................... 4

(一)《破阵乐》在历史时期的表演形制 ............................................................................... 4

（二） 《破阵月》在《坐部伎》和《立部伎》中的表现形式 ......................................... 5

曲调名....................................................................................................................................... 5

表演者服饰 ............................................................................................................................... 5

人数........................................................................................................................................... 5

演奏乐器组合特点 ................................................................................................................... 5

《破阵乐》 ............................................................................................................................... 5

坐部伎....................................................................................................................................... 5

绯绫袍....................................................................................................................................... 5

绯绫裤....................................................................................................................................... 5

锦绫僄....................................................................................................................................... 5

4人............................................................................................................................................ 5

有战阵气氛，发扬蹈厉风格，乐器在《景云乐》基础上增减 ........................................... 5

立部伎....................................................................................................................................... 5

蓝色镶白边外套，蓝色镶纹甩裤，红黄佩带 ....................................................................... 5

8到18人 .................................................................................................................................. 5

吹叶、刺鼓、葫芦琴等，伴男女多声部合唱和伴 ............................................................... 5

舞，欢快爽朗。 ....................................................................................................................... 5

三、 《破阵乐》的影响 ................................................................................................................. 6

1、 从《破阵乐》看对后世武舞的影响 ............................................................................... 6

2、 《破阵乐》在中外乐舞交流史上的意义 ....................................................................... 6

四、 结论......................................................................................................................................... 7

参考文献：....................................................................................................................................... 8