• Fu Lei"s translation is "smooth in expression, rich in vocabulary and changeable in style". His works read smooth and fluent, thus become models for translators as the "Fu Lei-style translation". With his rich experience in translation activity and his deep thoughts on translation theory, he forms his own ideas on translation. He wants to edify Chinese people and rejuvenate China through his translation.
Fu Lei translated this biography several times in the "dark clouds covered the sky period." He would like to take great man to overcome the suffering of the heroic tragedy, to help us worried by the cruel fate. His struggle to promote perseverance, courage to challenge the gods Dayong doctrine. However, the torch of wisdom and faith of a little bright, Di Deguo ignorance, intolerance fostered by the dark it? Love for man, Di Deguo human hatred it? Yearning for truth, justice and ideals, Di Deguo rights struggle fame realistic?
• • • • • • •
1949: Eugé Grandet by Balzac 《欧也妮· nie 葛朗台》 1950: Le Pè Goriot by Balzac 《高老头》 re 1951：巴尔扎克《贝姨》， 1952：巴尔扎克《邦斯舅舅》 1953: Colomba by Mé e（梅里美）《嘉里美科隆巴》 rimé 1953: Jean-Christophe by Rolland《约翰· 克里斯朵夫》 1963: Philosophie de l'art by Taine Persondata 丹纳《艺 术哲学》
• Fu Lei, together with his faithful companion, was hit by the brutal wave of wrecking, drown. But who can blame it Fu Lei。 He said that, for this biography was preached a humanitarian and struggle, this is a cruel irony. But now the fifth edition of the biography of heavy, marks a new victory? readers may be updated by the inspiration and encouragement. Fu Lei for the ancients, deaths never forgotten, however, was buried, and also will be mem to explore.
1932: Rodin L'Art by Paul Gsell 《罗丹艺术论》 1933: Chalot by Soupault《夏洛外传》 1934: 20 Lectures on World Masterpieces of Art《世界美术名作二十讲》 1934: Vie de Tolstoi by Rolland《托尔斯泰传》 1934: Vie de Michel-Ange by Rolland 《米开 朗基罗传》 1935: Voltaire by Maurois 1942: Vie de Beethoven by Rolland 《贝多芬 传》
Fu Lei (傅雷, courtesy name Nu'an 怒安, pseudonym Nu'an 怒 庵, 1908–1966), was a famous translator and art critic. He was born near Shanghai and raised by his mother. He studied art and art theory in France from 1928–1932. Upon his return to China, he taught in Shanghai and worked as a journalist and art critic until he took up translating.
• Fu Lei is an outstanding translator, an artistic theoretician as well as a connoisseur of arts. He is one of the few modern writers who really master law of arts. His knowledge covers that of China and of foreign countries, of tradition and of modern times. Besides literature, he is excellent in painting and music, showing superb ability to appreciate them. His writing amounts to over one million words, which includes novels, prose, literary comments, prefaces, epilogues, reviews of his time, letters, and works on fine arts and music.
• Thus we know more about his rich and profound thoughts. • To Fu Lei, morality is of vital importance. The basic and most important requirement to any artist is that (s)he must be embodied with a high morality and integral personality. Real excellent works can be produced only by those artists and writers who have an integral personality. In Fu Lei"s opinion, an artist"s morality directly influences the quality of his artistic creation.
• From Fu Lei"s writing, we can easily find his novel opinions on critics" qualification, on how to understand literary works properly, and on the proper wayto make comments on them. All these build his unique ideas of criticism. To him, a true critic must be "a brilliant, sober, moral person with penetrating judgment". A true critic should act like this: he dares to call a spade a spade; he can accept and tolerate other kinds of arts with his genu Lei for unlimited translation seriously, relentlessly progressive, open mind. See his translation of the biography as long as five, one is worth 1. "Charlotte rumor" is the first one. "Beethoven" Although the first pen to paper, it is satisfactory translation of the decade, beginning Speaks Louder and translation is obviously different. He often wrote and we pay attention to translation issues, specific issues are clearly recorded in red text. Unfortunately, the many letters have been destroyed. Fu Lei never complacent - to work seriously on himself satisfied. He never thinks to his proposal for Translation. Fu Lei regretful's hate is not a lot of time reading a book, it was love that he is proud that they saw him humbly side.