3/17/2014
我要扼住命运的咽喉，绝不让命运所压倒
I will take fate by the throat and never let fate overwhelmed ——贝多芬
3/17/2014
晚期(1816—1822)
In this period, Beethoven replaced the heroic past to lyrical intrapersonal , his sonata form has been completely free, free of all tradition rules. Improvisation, psychological exploration, profound philosophy and romanticism of artistic thinking of this period is the works of prominent characteristics. So this period piano music no longer like the early and mid-term works as emotionally intense, full of contradictions, and to give people peace and spiritual sublimation. 这个时期，贝多芬以抒情内省取代了以往的英雄性，他的鸣奏曲曲式已经完 全自由化，摆脱了一切传统规则。即兴性、心理的探索、深刻的哲理性以及 浪漫主义的艺术思维等是这一时期作品的突出的特点。所以这一时期的钢琴 曲不再像早期和中期的作品那样感情激烈、充满矛盾，而给人宁静与精神的 升华。
3/17/2014
•The song expressed the Beethoven of joy and happiness. He hopes to bring joy to all mankind, and let
the happy stay forever in the human. Although Beethoven lived through all kinds of setbacks(挫折), but he still not be the fate of down, and he is brave and optimistic towards the end of life. If the works of Beethoven„s middle period is the best explanation of “man can conquer nature”（人定胜天） of the word, the late Beethoven has been gradually moving toward a “harmony” realm（天人合一）, but it doesn‟t mean he has to surrender（屈服） to fate, he is to want to a profound expression of his inner demand through the beautiful praise. And the fate of protest tends to calm. Beethoven wanted to send the best wishes to all mankind, and hope that they are less suffering, more joy。
3/17/，是在1785年由德国诗人席勒所写的诗歌。 贝多芬为之谱曲，成为他的第九交响曲第四乐章的主要部份，包含四独立 声部、合唱、乐团。作品大约创作于1819到1824年间，是贝多芬全部音乐 创作生涯的最高峰和总 结。4/4拍。这是一首庞大的变奏曲，充满了庄严的 宗教色彩，气势辉煌，是人声与交响乐队合作的典范之作。 • "Ode to joy" is one of Beethoven's favorite poems,and Schiller expressed in the poems on freedom, equal life, is also the highest ideal has been longing for the Republic of Beethoven.
3/17/2014
简介
• He believed in the Republic, the heroic,and created a large number of outstanding works full of the spirit of the times. 他信仰共和，崇尚英雄，创作了大量充满时代气息的优秀作品。 such as symphony nine(交响曲九部), the opera "Faye de Leo"(歌剧《费黛里 奥》), the drama "Egmont"(戏剧《哀格蒙特》)、"the ruins of Athens"(《雅典 的废墟》); Piano Sonata "Pathetique", "Moonlight Sonata" etc(钢琴奏鸣曲 《悲怆》、《月光鸣奏曲》).. • His great collection of classical music, while opened up a romantic period music road（他集古典音乐的大成，同时开辟了浪漫时期音乐的道路）, play a decisive role on the development of world music. He and Haydn海顿, Mozart has been called the "Vienna sanjie". He and Michelangelo, Lev Tolstoy's life has experienced all kinds of hardships of ups and downs, the French writer Roman Roland according to their life in the "celebrity biography"(《名人传》)
3/17/2014
Music appreciation
3/17/2014
欣然忘食的夜餐
一天，贝多芬来到一家饭馆用餐。 点过菜后，他的脑中突然闪过音乐的火 花，他便顺手抄起餐桌上的菜谱，在菜 谱的背面一笔一划地作起曲来。不一会 儿，他就完全沉浸在美妙的旋律之中了。 服务员看到贝多芬那十分投入的样子， 便不敢去打扰他，而打算等一会儿再给 他上菜。大约一个小时之后，服务员终 于来到贝多芬身边：“先生，上菜吗？” 贝多芬如同刚从梦中惊醒一般，立刻掏 钱结账。侍者如丈二的和尚——摸不着 头脑：“先生，您还没吃饭呢！”“不！ 我确信我已经吃过了。”贝多芬根本听 不进侍者的一再解释，他照菜单上的定 价付款之后，抓起写满音符的菜谱，冲 出了饭馆。
3/17/2014
早期（1794—1800）
Beethoven in the style of early continuation and development of Haydn, Mozart's simple, rigorous, philosophical and other classical tradition, and his melody inherited Haydn's motivation to carry out technique,and absorb the Mozart melody affectionate, and formed the characteristics of simple, straightforward, simple, warm. 贝多芬在早期的风格特征延续并发展了海顿、莫扎特的质朴、严谨、富哲理 性等古典传统，同时他的旋律继承了海顿式的动机开展的手法，又吸收了莫 扎特旋律的深情，而形成了简洁、粗犷、质朴、热情的特征。其音乐风格中 最有代表意义的“英雄性”在这些作品中有了初步的体现。 这一时期他写了13首钢琴奏鸣曲。在创作中，有许多新的形式和新的探索， 诞生于该时期的第八首奏鸣曲《悲怆》则是他受到耳聋威胁时的痛苦内心的 表白。
路德维希· 凡· 贝多芬
Ludwig van Beethoven （1770—1827）
简介
• Ludwig von Beethoven, he is German composer, musician, representative
of Vienna classical music school（维也纳古典乐派）。 • Beethoven was born in Bonn, the ancestral home Folandemei heron. He studied music, in his father's strict training,and showed an early music talent.At eight year old he began to appear on the stage. At the age of seventeen, he attended the University of Bonn court philosophy, that's when he had brief contact with Mozart . In 1792, he settled in Vienna, after Haydn's guidance, he made progress in art, three years after the publication of the first book 贝多芬出生在德国波恩，祖籍佛兰德梅赫伦。自幼学习音乐，在其父的严格训 练下，很早就显露出了音乐上的才华，八岁便开始登台演出。十七岁那年，他 在波恩宫廷大学旁听哲学，也就是在这时与莫扎特有了短暂接触。1792年，定 居维也纳，经过海顿的指引，他在艺术上进步飞快，三年后出版第一部作品。