town ß the absolute reclusive 孤独的life
of Emily
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Section 5 ß death of Miss Emily with her
house violently invaded ß discovery of the murder & her
necrophilia(恋尸癖)
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ß Male gaze: Laura Mulvey/” Visual Pleasure and Narrative Cinema ”/gender
power asymmetry in film/women objectified 使具体化in film because heterosexual异性恋的 men were in control of the camera/ voyeurism(窥淫癖) and scopophilia(窥视)/influential in feminist film theory and media studies/curves 曲 线of a woman's body / an erotic性欲的 object for characters within &the spectators without/ passive to the active gaze from the man/gazer vs. gazed
ß “looking down at the profound and fleshless grin”17
ß “we saw a long strand股 of iron-gray 铁灰色的hair.”
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ß Gaze(凝视): a psychoanalytical心理分析
term / Jacques Lacan / anxious state that comes with the awareness that one can be viewed/the subject loses a degree of autonomy upon realizing that he or she is a visible object/mirror stage/ a child encountering a mirror realizes that he or she has an external appearance外貌/ gaze effect produced by any conceivable 可想 向的object such as a chair or a television screen, eyeball.
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Section 3 ß Emily's sickness before dating
with Homer barron & passionate 热 烈的love ß the purchase of arsenic 砒霜
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Section 4 ß widespread rumors传闻 in the
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Emily the gazed in the house ß An eye for an eye ß A battle for visual power ß An object to be a subject ß Woman warrior
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Emily’s voice
ß Role-play: If you were Emily, how would you tell your story?
developments/A neighbor saw the Negro man/ we would see her at a window”15
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ß “Daily, monthly, yearly, we watched the Negro…/looking or not looking at us…/their quick, curious glances”16
ß His creation: family history/prototypes原型/ the town of Oxford(Jefferson)/His greatgrandfather, William Clark Falkner(Colonel Sartoris) /Mary Louise Neilson & Jack Barrona, Yankee street paver 铺路工(Emily &Homer)
there.
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The ladies in Jefferson
ß the curious women(p.9) ß "only a woman could have believed
it"(p.9) ß ladies with mixed feelings(p.14/15) ß ladies as invaders(p.16/17) ß Do they really care about their
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ß Symbols for the townspeople ß Alienated 感到孤独的body ß Derogatory 贬义的terms: bias偏见
/stereotype陈规旧习
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Emily's house
ß "a big, squarish frame house"方木屋 /location位置
sister?
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ß The female spectators: visual pleasure
ß Spiteful gossips (the townspeople) ß Observers, commentators,
supervisors, interventionists ß Complicity合谋者 ß successors of Emily’s father
ß The silenced heroine女主角: voice vs.silence
ß Theater 剧场of the absurd(荒诞剧):
Pan Jinlian
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《潘金莲----一个女人的沉沦史》魏明伦
ß 剧中人：潘金莲、武松、武大郎、西 门庆、张大户、王婆、泼皮甲、泼皮 乙、泼皮丙
ß 剧外人：吕莎莎、施耐庵、武则天、 安娜﹒卡列尼娜、女庭长、贾宝玉、 芝麻官、现代阿飞、红娘、上官婉儿
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ß His concerns: southern aristocratic 贵族 families/American South/human situation/ spiritual deterioration心灵的恶 化/ loss of love/want of emotional response情绪反应
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ß Female gaze: women look at themselves
through the eyes of men/male gaze as a manifestation示威 of unequal power
between gazer and gazed, or as an attempt to develop that inequality不平等 的/ a woman who welcomes an
受人尊敬的 family ß tax incident事件&the visit by the
deputation代表团
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Section 2 ß smell in Emily's house & complaints
抱怨 in the neighborhood & actions taken to do away ß death of Emily's father & her delayed disposal推迟处理
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visual violence
ß “to see the inside of her house” 9 ß “a crayon portrait”10 ß “looked back/stared at/ looked him
eye for eye/ looked away”14 ß “we sat back to watch
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Emily's father
ß "a crayon portrait "蜡像(p.10) ß father clutching a horsewhip马鞭
(P.12) ß father vs. young men(p.12) ß the influence of the father(p.15) ß Emily's dead body& father's face ß absent & present: HE is always
ß "an eyesore难看的东西 among eyesores"
ß the attraction and focus of the town (p.11/16/)
ß the captured house (p.16/17) ß What does her house symbolize?
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ß Shelter居所: privacy隐居/home ß long past/memory ß dignity not to be offended ß fortress堡垒 ß prison
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Close reading
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ß Miss Emily's father ß her appearance 外貌and character ß the women in her town ß the attitude of her townspeople ß her house ß visual 看得见的violence: Emily vs.